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Results 1-49 of 49 (Search time: 0.088 seconds).
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Issue Date
Title
Author(s)
1
2015
Engaging the regime of comedy: An analysis of the representation of “blackness” and “whiteness” in Leon Schuster’s: There is Zulu on My Stoep (1993) and Mr. Bones 1 (2001).
2
Nov-2015
Violence and the postcolonial state: an analysis of Christopher Mlalazi’s Running with mother, They are coming and Noviolet Bulawayo’s We need new names
3
2014
Masks and the question of identity: an examination of multiple identities in Smith’s Ginette (1980) ,Charter’s Crossing the boundary fence(1988), Partridge’s To breathe and wait(1986).
4
Oct-2014
The feminization of poverty: A critical analysis of Bones (1988) and The Uncertainty of Hope (2006).
5
Jun-2018
What's up with Whatsapp profile pictures and statuses ? a multimodal approach
6
2013
Contesting the feminist paradigm in Tsitsi Dangarembga’s texts: an africana womanist reading of She no longer weeps, nervous conditions and the book of not
7
Nov-2015
A representation of Zimbabwe’s socio-political and economic situation in P.O Box TV.: a case study of Anotenga here, Chaunoda chii and Hatiuye ikoko
8
2017
Zimdancehall: a rising platform in addressing socio-political injustices through lyrics.
9
Oct-2014
Shifting gender roles: A critical analysis of Tsitsi Dangarembga’s Nervous Conditions (1988) and Petina Gappah’s An Elegy for Easterly (2009).
10
Nov-2015
Discourse communication strategies used by the deaf community: a case study of Nzeve deaf children’s centre, zimbabwe.
11
Oct-2014
The search for utopia in NoViolet Bulawayo’s We Need New Names (2013).
12
2013
The liberating role of stand up comedy in exposing socio-political concerns: an analysis of Kate William’s Katepakalypse and Trevor Noah’s That’s racist
13
2014
An appraisal on participation and decision making at community development meetings at Caledonia Housing Cooperatives (February 2014)
14
2017
Cultural interfaces and collisions: the influence of western cinema on Zimbabwean youth culture.
15
2013
A critical interrogation of the themes of politics and governance in the creative works of Mlalazi and Baya’s Crocodile of Zambezi (2008), Matsa and Baya’s Super Patriots and Morons (2003), and Chifunyise’s Waiting for the Constitution (2010)
16
2013
Children’s texts prescribed in Zimbabwean high schools as historical narratives: a close study of Hanson’s Takadini, Gascoigne’s Tunzi the Faithful shadow and Chater’s Crossing the boundary fence.
17
2015
Narrating selves: Alterity and Simultaneity In Lutanga Shaba’s Secret of a Woman’s Soul, Peter Godwin’s Mukiwa: A White Boy In Africa, Nelson Mandela’s Long Walk To Freedom And Barack Obama’s Dreams From My Father
18
2013
The woman is subject to man on account of the weakness of her nature . . . Man is the beginning of woman…”, St Thomas of Aquinas (1225-1274), an analysis of biblical related literary works as perpetrators of women discrimination and subjugation by man: a case of John Milton ‘Paradise Lost’ (1961), ‘Samson Agonists’ (1967) and Wim Boswinkel (2003) Erina. By
19
2018
Exploring the digital space as a site of literary creation
20
2013
Selves in the making: a critical analysis of Barack Obama's ascendancy to power
21
2015
Comparing vowel hiatus resolution strategies in ChiHwesa and ChiManyika: an optimality theoretic account
22
2013
An intertextual reading of contemporary Zimbabwean poetry with particular attention to the anthology, State of the Nation
23
Nov-2015
Return migration, space and identity in Daniel Mandishona’s White gods black demons (2009)
24
2017
A content analysis of literary evidence of slave trade in Zimbabwe focusing on Zimbabwean women’s trafficking to Kuwait.
25
2017
Facebook as an alternative public sphere: online discussions of bond notes in Zimbabwe
26
2014
Lifting the veil: white zimbabwean writing and the treatment of double consciousness in Doris Lessing’s The grass is singing (1950), John Eppel’s Absent: The english teacher (2009) and Andreas Eames’ The cry of the go- away bird (2011)
27
2014
Drama and the struggle for social change Zimbabwe: the case of Tsitsi Dangarembga’s She Nolonger Weeps, George Mujajati’s The Wretched Ones and Raisedon Baya and Leonard Matsa’s Super Patriots and Morons,
28
2015
‘Remaining a man…’ representations of the constructions of men and masculinities in contemporary Zimbabwean literature: an analysis of Tagwira’s The uncertainty of hope (2006); Chikwava’s Harare north (2009) and Nyota et al’s Hunting in foreign lands (2010).
29
2014
Exploring the nexus between the Zimbabwean crisis, migration and identity in Brian Chikwava Harare North (2009), Daniel Mandishona’s white gods black demons (2009) and NoViolet Bulawayo’s we need new names (2013).
30
2014
The impact of cultural diversity in a polarised society: a study Bessie Head's maru, Phaswane Mpe's welcome to our hilbrow and Paul Freeman's rumours of ophir
31
2013
Monsters or victims: an analysis of the African child soldier as depicted in Chris Abani’s song for Night, Emmanuel Dongala’s Johnny mad dog and Ieweala Uzodinma’s beasts of no nation.
32
Nov-2016
An ethnographic study of tertiary students greeting
33
2014
White female experiences of the Zimbabwean liberation war: Patricia Charter’s Crossing the boundary fence, Sylivia Bond Smith’s Ginette, Partridge’s To breathe and wait.
34
2018
The vulnerability of both genders in HIV and AIDS narratives: a study of Lutanga Shaba’s Secrets of a Woman’s Soul (2006), The Haunted Trail by Philip Chidavaenzi (2012) and Valerie Tagwira’s The Uncertainty of Hope (2006)
35
2013
Adulthood in Zimbabwean literature for children: an analysis of the representation of adult characters in Takadini (1997) by Hanson B, A visit to the Gods (1987) by N.S Sigogo and Tapiwa and the Kidnappers(1997) by G. Hozo
36
2014
An appraisal of the three political principals' speeches on the occasion of the signing of the Global Political Agreement of 15 September 2008
37
2017
The dialogic relationship between mass media and society: an assessment of triadic reciprocal determinism of Zimbabwean mass media websites
38
Oct-2014
Conceptualizing Ndebele particularism in the context of the Zimbabwean crisis.
39
Nov-2016
Communicating loss through #bringbackourgirls images on twitter
40
May-2015
Representation of the Community Share Ownership Trust programme in print media analysing power relations between public and private newspapers: A study of The Herald and the Zimbabwe Independent, from 23 January to 18 October 2014.
41
2013
A critical analysis of prisons as discourse communities: an examination of Whawha prison complex.
42
2014
In search of elusive identities: a critical examination of Negro identities in James Weldon Johnson’s Ex Colored Man, Ralph Ellison’s Invisible Man and Zora Nearle Hurston’s Their Eyes Were Watching God.
43
2015
An exploration of the destructive impact of the construct of physical beauty on the African American woman. An analysis of Toni Morrison: The bluest eye (1970) and Zora Neale Hurston: Their eyes were watching God (1937)
44
2016
The rise of ‘the Joshua generation?’: perspectives and attitudes on Facebook activism in Zimbabwe.
45
2013
Ideology and the representation of black male characters in selected african american literary texts: Bontemps’s Black thunder; Wright’s Black boy; Walker’s The third life of Grange Copeland and Morrison’s Song of Solomon
46
2016
An exploration of the metaphor of a lost home in the post 2000 Zimbabwe. A case of Valerie Tagwira’s The Uncertainty of Hope (2006), NoViolet Bulawayo We need New name, (2013) and Pettina Gappah’s An Elegy for Easterly (2009).
47
2015
(Re)construction of valentine’s day on social media platforms: a study of messages circulating on whatsapp around valentine’s day.
48
2013
An investigation of the relationship between ethnography and implicature : a case study of shona funeral gatherings
49
May-2016
The Portrayal of Homosexuality in Selected American Soap Operas: A Case of Filmic Cultural Hegemony?
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