Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/6471
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dc.contributor.authorKhulekani Face Moyoen_US
dc.contributor.authorRichard Murandaen_US
dc.contributor.editorMellitus Nyongesa Wanyamaen_US
dc.contributor.editorMadimabe Geoff Mapayaen_US
dc.date.accessioned2024-12-12T06:35:45Z-
dc.date.available2024-12-12T06:35:45Z-
dc.date.issued2024-
dc.identifier.urihttps://cris.library.msu.ac.zw//handle/11408/6471-
dc.description.abstractThe study compared the optimization of mastering between Cubase 13 and Wavelab 12. Using experimental methodology, it examined stereo widening, balance, global audio boosting, spectrum analysis, and compression. Three songs were sampled: Pfeka Jombo (gospel), Handichadi Nhamo (Zimdancehall), and Never Give Up (Afro-Pop). These songs were recorded and mixed by the researchers in the same environment using identical software. All songs underwent spectrum analysis before a comparative analysis in Cubase 13 and Wavelab 12. The study found Cubase 13 offers ready-made mastering presets, whereas Wavelab 12 requires expert knowledge of mastering settings. Cubase 13 is more accessible for aspiring mastering engineers compared to Wavelab 12. The study recommends formal education on music production fundamentals, particularly mastering across genres. Future research should explore the impact of specific mastering tools in various software like Pro Tools, Logic Pro, Adobe Audition, Ableton Live, Fruity Loops Studio, and T Racksen_US
dc.language.isoenen_US
dc.publisherUtafiti Academic Pressen_US
dc.subjectDynamicsen_US
dc.subjectoptimisationen_US
dc.subjectmasteringen_US
dc.subjectmusic productionen_US
dc.subjectstereo balanceen_US
dc.titleA Comparative Exploration of Cubase 13 and Wavelab 12 as Mastering Suitesen_US
dc.typebook parten_US
dc.relation.publicationAfrican Musicology: Zimbabwean Past, Present and Futureen_US
dc.identifier.doihttps://www.researchgate.net/publication/383692646_CHAPTER_IX_A_Comparative_Exploration_of_Cubase_13_and_Wavelab_12_as_Mastering_Suites-
dc.contributor.affiliationMSc in Music Technology from, BSc Honours in Music and Musicology (MSU)en_US
dc.contributor.affiliationSenior Lecturer at Midlands State University in the Department of Music Business, Musicology & Technologyen_US
dc.contributor.editoraffiliationProfessor of Music (Ethnomusicology and Musicology) at Kabarak University, Nakuru, Kenyaen_US
dc.contributor.editoraffiliationRenowned Expert in Indigenous African Musicen_US
dc.relation.isbn978-9966-26-332-2en_US
dc.description.startpage115en_US
dc.description.endpage132en_US
item.openairecristypehttp://purl.org/coar/resource_type/c_3248-
item.cerifentitytypePublications-
item.grantfulltextopen-
item.fulltextWith Fulltext-
item.openairetypebook part-
item.languageiso639-1en-
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