Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/1199
Full metadata record
DC FieldValueLanguage
dc.contributor.authorNyawo-Shava, Vongai Z.-
dc.contributor.authorNgoshi, Hazel T.-
dc.date.accessioned2016-05-04T12:53:18Z-
dc.date.available2016-05-04T12:53:18Z-
dc.date.issued2013-
dc.identifier.isbn978-0-7983-0395-8-
dc.identifier.urihttp://hdl.handle.net/11408/1199-
dc.language.isoenen_US
dc.publisherAfrica Institute of South Africaen_US
dc.relation.ispartofseriesNationalism and National Projects in Southern Africa: New Critical Reflections;p. 218-230-
dc.subjectNationalism, National projectsen_US
dc.titleGendering the African National Project in the Twenty-First Centuryen_US
dc.typeBook chapteren_US
dcterms.abstractContrary to earlier assertions by some scholars of nationalism that in the age of globalisation, nationalism was waning, the twenty-first century has in fact witnessed vigorous re-assertions of nationalisms and the relevance of gender analyses of nationalist projects.' This chapter takes as its point-of departure the implications of nationalism in the power balance between men and women and that nationalisms are sites of gender struggles. Given the perceived increasing agency of women in the global age, the chapter pursues the question of the gender of national agency in the twenty-first century and whether the symbolic relationof genders to the nation will remain located at the cusp of the patriarchal nature of nationalism and the historical construction of gender differences.-
item.languageiso639-1en-
item.cerifentitytypePublications-
item.fulltextWith Fulltext-
item.openairetypeBook chapter-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.grantfulltextopen-
Appears in Collections:Book Chapters
Files in This Item:
File Description SizeFormat 
CHAPTER 12-Vongai.pdf113.98 kBAdobe PDFThumbnail
View/Open
Show simple item record

Page view(s)

8
checked on Jul 24, 2024

Google ScholarTM

Check

Altmetric


Items in MSUIR are protected by copyright, with all rights reserved, unless otherwise indicated.