Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/6988
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dc.contributor.authorMathonsi, Nosisaen_US
dc.date.accessioned2026-03-13T09:04:14Z-
dc.date.available2026-03-13T09:04:14Z-
dc.date.issued2021-
dc.identifier.urihttps://cris.library.msu.ac.zw//handle/11408/6988-
dc.description.abstractThe study is about power and identity in film Black Panther (2018). In this case the study critically explains how power and identity are being portrayed in the film Black Panther. The study also gives the reference to the African films that states the identity in films. It is guided by theories that focuses on frame work theory and semiotic theory. The study also found out the debunking of power and identity being revealed on the film that is the misconception about Africa. The study also focuses on the role of women in the text. In films women are viewed as inferior therefore, in this case they are superior as they play the essential role and are portrayed to be mighty in power and be able to challenge the men in the field.en_US
dc.language.isoenen_US
dc.publisherMidlands State Universityen_US
dc.subjectPoweren_US
dc.subjectIdentityen_US
dc.titlePower and Identity in film: A case of the text “Black Panther” (2018)en_US
dc.typebachelor thesisen_US
dc.contributor.affiliationStudent, in Film and Theatre Arts Studies Department, Midlands State Universityen_US
item.grantfulltextopen-
item.openairetypebachelor thesis-
item.openairecristypehttp://purl.org/coar/resource_type/c_46ec-
item.languageiso639-1en-
item.cerifentitytypePublications-
item.fulltextWith Fulltext-
Appears in Collections:Bachelor Of Arts In Film And Theatre Arts Studies Honours Degree
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