Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/5996
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dc.contributor.authorWeston Chimbudzien_US
dc.contributor.authorRichard Murandaen_US
dc.contributor.authorWonder Magurausheen_US
dc.date.accessioned2024-03-27T09:08:08Z-
dc.date.available2024-03-27T09:08:08Z-
dc.date.issued2022-06-15-
dc.identifier.urihttps://cris.library.msu.ac.zw//handle/11408/5996-
dc.description.abstractMusic producers in pro-studios enjoyed autonomy and influenced goings-on in the recording industry in Zimbabwe. The operating terrain within the Zimbabwe recording industry has drastically changed owing to the advent of digital recording technology. Their hegemony has slackened due to the emergence of home studios which have liberated musicians through accepting different music genres. In this chapter, we explore the changes in roles of the music producer from the old school pro-studios which operated from the 1970s to modern-day home studios which emerged at the turn of the millennium. We conducted semi-structured interviews with studio owners, producers and musicians. As players in the industry, we also did participant observation within the Zimbabwean recording industry. Music producers of the digital era are equipped to do real musical instrument playing, MIDI (musical instrument digital interface) sequencing, mixing, mastering and marketing. Modern technological developments directly impact the modus operandi to determine the relevance and business viability of producers in the Zimbabwe recording industry.en_US
dc.language.isoenen_US
dc.publisherPalgrave Macmillan, Chamen_US
dc.relation.ispartofPop Music, Culture and Identityen_US
dc.subjectAnalogueen_US
dc.subjectDigitalen_US
dc.subjectHome studioen_US
dc.subjectMusicianen_US
dc.subjectPro-studioen_US
dc.subjectProduceren_US
dc.subjectRecording industryen_US
dc.titleThe Evolution of the Roles of Producers in the Zimbabwe Recording Industryen_US
dc.typebook parten_US
dc.relation.publicationIndigenous African Popular Music, Volume 2 : Social Crusades and the Futureen_US
dc.identifier.doihttps://doi.org/10.1007/978-3-030-98705-3_23-
dc.contributor.affiliationDepartment of Music, Midlands State University, Gweru, Zimbabween_US
dc.contributor.affiliationDepartment of Music Business, Musicology and Technology, Faculty of Social Sciences, Midlands State University, Gweru, Zimbabween_US
dc.contributor.affiliationDepartment of Music, Midlands State University, Gweru, Zimbabween_US
dc.relation.isbn978-3-030-98705-3en_US
dc.description.startpage395en_US
dc.description.endpage411en_US
item.grantfulltextopen-
item.cerifentitytypePublications-
item.languageiso639-1en-
item.openairecristypehttp://purl.org/coar/resource_type/c_3248-
item.fulltextWith Fulltext-
item.openairetypebook part-
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