Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/4254
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dc.contributor.authorNaidoo, Salachi-
dc.contributor.authorPfukwa, Charles-
dc.date.accessioned2021-05-26T13:44:26Z-
dc.date.available2021-05-26T13:44:26Z-
dc.date.issued2009-
dc.identifier.issn1812-5980-
dc.identifier.issn1753-593X-
dc.identifier.urihttps://www.tandfonline.com/doi/abs/10.1080/18125980903248180?journalCode=rmuz20-
dc.identifier.urihttps://doi.org/10.1080/18125980903248180-
dc.identifier.urihttp://hdl.handle.net/11408/4254-
dc.description.abstractThis paper examines the images of women as portrayed in Zimbabwean contemporary music. The paper compares these images to those found in Zimbabwean literature. What is evidenced in this research is a trend by singers, both male and female, to present a commercialized image of women that hails beauty above intellect. Although the researchers acknowledge the fluidity of meaning and interpretation, a negritudist perception of the ‘woman’ remains all too apparent in the various representations. Female singers as well are seen to fall into the same conventions which this paper seeks to examine.en_US
dc.language.isoenen_US
dc.publisherRoutledgeen_US
dc.relation.ispartofseriesMuziki Journal of Music Research in Africa;Vol. 6; No. 2: p. 145-153-
dc.subjectBlack beautyen_US
dc.subjectFeminismen_US
dc.subjectIdentityen_US
dc.titleRepresentations of women in Zimbabwean contemporary musicen_US
dc.typeArticleen_US
item.languageiso639-1en-
item.grantfulltextopen-
item.cerifentitytypePublications-
item.fulltextWith Fulltext-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.openairetypeArticle-
Appears in Collections:Research Papers
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