Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/3989
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dc.contributor.authorKaridza, Bridget-
dc.date.accessioned2020-12-09T09:04:02Z-
dc.date.available2020-12-09T09:04:02Z-
dc.date.issued2016-11-
dc.identifier.urihttp://hdl.handle.net/11408/3989-
dc.description.abstractThe aim of the study was to explore the frames used in the representation of black women in two western films namely ‘The Help’ (2011) and ‘Django Unchained’ (2012). A qualitative research approach was used and data was collected through Questionnaires, Archival research and personal Observations methods. The study was also informed by Framing and Audience Reception theories. The study found out that black women are depicted as slaves and domestic workers working under white man in western films as exemplified by the two cited films. The study recommends that the film producers, writers, directors and actors should be gender sensitive when representing either men or women in filmsen_US
dc.language.isoenen_US
dc.publisherMidlands State Universityen_US
dc.subjectrepresentationen_US
dc.subjectblack womanen_US
dc.subjectfilm and raceen_US
dc.titleRethinking Film and Race: the representation of black woman in two western films - ‘Django unchained’ (2012) and ‘the help’ (2011)en_US
dc.typeThesisen_US
item.cerifentitytypePublications-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.grantfulltextopen-
item.openairetypeThesis-
item.languageiso639-1en-
item.fulltextWith Fulltext-
Appears in Collections:Bachelor Of Arts In Film And Theatre Arts Studies Honours Degree
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