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Please use this identifier to cite or link to this item: https://cris.library.msu.ac.zw//handle/11408/3814
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dc.contributor.authorMatiure, Perminus-
dc.date.accessioned2020-07-23T09:52:29Z-
dc.date.available2020-07-23T09:52:29Z-
dc.date.issued2018-
dc.identifier.isbn0797478965-
dc.identifier.urihttp://hdl.handle.net/11408/3814-
dc.description.abstractMusic can be considered to be a product of a society's social and religious activities . It is apparent that every society has some form of sonic order which it calls music, however each society has its own ontology of music. What might be noise to one society may be music to the other .In other words, each society defines music within its confines of functionality...............................................en_US
dc.language.isoenen_US
dc.publisherMidlands State Universityen_US
dc.relation.ispartofseriesSinging nation and politics : music and the "decade of crisis"in Zimbabwe 2000 - 2010;Postscript-
dc.relation.ispartofseries;Itai Muwati, Tyanai Charamba, Charles Tembo-
dc.subjectshona musicen_US
dc.subjecthwedzaen_US
dc.subjectzimbabwe musicen_US
dc.titleMusic of the shona people of Hwedza districten_US
dc.typeBook chapteren_US
item.openairetypeBook chapter-
item.openairecristypehttp://purl.org/coar/resource_type/c_18cf-
item.fulltextWith Fulltext-
item.languageiso639-1en-
item.cerifentitytypePublications-
item.grantfulltextopen-
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