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    <title>MSUIR Community:</title>
    <link>https://cris.library.msu.ac.zw//handle/11408/757</link>
    <description />
    <pubDate>Wed, 08 Apr 2026 08:25:36 GMT</pubDate>
    <dc:date>2026-04-08T08:25:36Z</dc:date>
    <item>
      <title>Negotiating identity through music in Zimbabwe: Interrogating some selected Nambya music</title>
      <link>https://cris.library.msu.ac.zw//handle/11408/6556</link>
      <description>Title: Negotiating identity through music in Zimbabwe: Interrogating some selected Nambya music
Authors: Mpinami Lindani Audrey; Sipeyiye, Macloud
Abstract: The Nambya music speaks to the socio-cultural identity of the Nambya people yet it has been jettisoned in music discourse in Zimbabwe. The article critically engages with selected song texts of the previously marginalised ethnic minority to glean the musicians’ use of their indigenous language voices to negotiate issues of identity. The article is qualitative and interpretive, grounded in the constructionist strand of Afrocentricity. Data were collected through in-depth interviews and a review of relevant literature. The findings established that the musicians deploy their voices in communicating beliefs and values of the Nambya people amid many challenges affecting postcolonial societies.</description>
      <pubDate>Wed, 01 Jan 2025 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://cris.library.msu.ac.zw//handle/11408/6556</guid>
      <dc:date>2025-01-01T00:00:00Z</dc:date>
      <dc:creator>Mpinami Lindani Audrey</dc:creator>
      <dc:creator>Sipeyiye, Macloud</dc:creator>
    </item>
    <item>
      <title>An  onomastics  survey  of  contemporary  Zimbabwe’s  Musical  Arts Industry: Unpacking selected Dancehall, Urban Grooves and Afro-jazz musicians’ stage names.</title>
      <link>https://cris.library.msu.ac.zw//handle/11408/6399</link>
      <description>Title: An  onomastics  survey  of  contemporary  Zimbabwe’s  Musical  Arts Industry: Unpacking selected Dancehall, Urban Grooves and Afro-jazz musicians’ stage names.
Authors: Tendai Owen Chikara
Abstract: This study relies on broad semantic theory to understand names in the Zimbabwe music scene. The  paper  operates  on  Saussurean  thinking  that  words  are  carriers  of  meaning.  Another  position  the  paper  holds  is  that  names  and  the  naming  ritual  are  never  neutral  affairs  as  names reflect ideas of who a person is thought or who they think themselves to be. The paper notes that names and naming practices in the Zimbabwean music industry are motivated and associated  with  a  number  of  factors  such  as  tradition  (totemism),  current  developments  in  the cultural arts, body size and type; gender and there is are a lot of power dynamics at play in the naming process.</description>
      <pubDate>Wed, 10 Jul 2024 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://cris.library.msu.ac.zw//handle/11408/6399</guid>
      <dc:date>2024-07-10T00:00:00Z</dc:date>
      <dc:creator>Tendai Owen Chikara</dc:creator>
    </item>
    <item>
      <title>Stance in the Academic Writing of Zimbabwean Students Using English as a Second Language</title>
      <link>https://cris.library.msu.ac.zw//handle/11408/6040</link>
      <description>Title: Stance in the Academic Writing of Zimbabwean Students Using English as a Second Language
Authors: Tendai Owen Chikara; Nhlahla Landa; Cekiso Madoda
Abstract: Undergraduate learners writing in English as a Second language have to&#xD;
deal with a two-pronged challenge- expressing themselves in a second&#xD;
language and adjusting to the writing conventions characteristic of&#xD;
university. One challenge students face when writing at university level&#xD;
relates to the need to show where they stand in relation to some of the&#xD;
facts they present in their academic papers, a practice known as stance-&#xD;
taking. The present research explored the writing of undergraduate&#xD;
learners from a variety of academic disciplines at a single university&#xD;
(Solusi University) to establish how they deployed stance while operating&#xD;
in a second language. Data was gathered through collection and&#xD;
subsequent analysis of essays from students in five faculties at Solusi&#xD;
University. Purposive stratified sampling was used to select the essays&#xD;
that were used for analysis. The sampling ensured that all the faculties&#xD;
were represented in the data used as the corpus of the study. In addition,&#xD;
the researcher ensured that the different study levels were equally&#xD;
represented in the final sample. The deployment of stance in academic&#xD;
papers demonstrates an appreciation and engagement with material&#xD;
which is not superficial but such is only possible where learners would&#xD;
have understood the language in use. The present research argues that&#xD;
learners do not take stance because they have not really comprehended&#xD;
material presented in a second language and they may not be positioned&#xD;
to write in a manner that is acceptable in the genre. This paper thus&#xD;
suggests that English as a Second language users ought to be taught to&#xD;
write in a manner that is acceptable in the 'academic writing' genre.</description>
      <pubDate>Sun, 01 Jan 2023 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://cris.library.msu.ac.zw//handle/11408/6040</guid>
      <dc:date>2023-01-01T00:00:00Z</dc:date>
      <dc:creator>Tendai Owen Chikara</dc:creator>
      <dc:creator>Nhlahla Landa</dc:creator>
      <dc:creator>Cekiso Madoda</dc:creator>
    </item>
    <item>
      <title>Approaches to embedding indigenous knowledge systems in Made in Africa Evaluations</title>
      <link>https://cris.library.msu.ac.zw//handle/11408/6004</link>
      <description>Title: Approaches to embedding indigenous knowledge systems in Made in Africa Evaluations
Authors: Nedson Pophiwa; Umali Saidi
Abstract: Background: In this article, the authors make a case for weaving indigenous knowledge systems (IKS) with monitoring and evaluation of interventions targeted at communities on the African continent. Current efforts do not make explicit reference to indigenous knowledge in Made in Africa Evaluation (MAE). Indigenous knowledge systems are implied as the defining aspect of MAE, being called upon to be fused with existing evaluation systems and practices in order to enhance evaluation in African communities.&#xD;
&#xD;
Objective: To call for enrichment of the MAE in setting the agenda and bring agency to evaluation practices in Africa against centuries of unsustainable developmental practices that continue to underdevelop the continent.&#xD;
&#xD;
Method: This article explores aspects of IKS which challenge Western hegemonic epistemologies in evaluation approaches and practices in Africa.&#xD;
&#xD;
Results: It is argued that associations such as African Evaluation Association (AfrEA) should strive to become knowledge hubs which pursue the mission to re-project and reposition Africa within the existing continuum of global knowledge.&#xD;
&#xD;
Conclusion: The article makes several recommendations for fusing IKS with MAE in a bid to bring the African voice to the fore in evaluations.</description>
      <pubDate>Tue, 30 Aug 2022 00:00:00 GMT</pubDate>
      <guid isPermaLink="false">https://cris.library.msu.ac.zw//handle/11408/6004</guid>
      <dc:date>2022-08-30T00:00:00Z</dc:date>
      <dc:creator>Nedson Pophiwa</dc:creator>
      <dc:creator>Umali Saidi</dc:creator>
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