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314
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55
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ID: d1b92625-ee1c-40e9-aa12-7a102c4bd4dd - Challenges for Online Sermons and Online Communion during Covid-19 Pandemic: A Historical Perspective of Rural Congregations in the Reformed Church in Zimbabwe
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54
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ID: fdd4ae16-fab8-4b8f-b9d4-24cb35be2ebe - Three pandemics in post-2017 Zimbabwe: authoritarianism, corruption, and ruling through Covid-19
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51
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49
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48
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47
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47
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44
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44
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43
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ID: 42a1afea-1cee-4405-b70a-7b442a407f13 - 79 Cybermusic, copyright issues and the democratic ‘deficit’ in Zimbabwe
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42
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ID: 663e409f-9ea9-4f63-a4e3-9c193e79cb16 - Newsroom Disruptions and Opportunities in Times of Crisis: Analysing Southern African Media During the COVID-19 Crisis
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ID: f8f86f5f-4163-47f7-a13f-8f9879a66685 - Street theatre in Zimbabwe: a history of connection, disconnection, and reconnection
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ID: ed2d47dd-5607-4489-9279-cf627ebeace2 - A critique of Augusto Baol’s ‘ Theater of the Oppressed within the context of Post Independent Zimbabwe
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ID: 5020b269-dc4c-45d8-9da5-c87cd90cc1a6 - Sabhuku vharazipi’ (2012) and the cultural imperatives of community theatre
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ID: 66624522-4402-48a2-ade3-3b6320f758e7 - Media and development: the politics of framing gender struggles in the postcolonial zimbabwean shona films
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ID: ad023043-293b-4913-a616-1aaf5405868f - Language censorship in selected Zimbabwean films in Shona and English
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ID: ca29af65-4121-486e-a56d-8e112958a650 - Fake News as Political Communication: On Fake News, Digital Media and the Struggle for Hegemony in Post-Mugabe Zimbabwe
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36
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ID: 1f2e2d4a-44d8-41b9-8627-f7ef2a69d686 - Towards peace, healing and reconciliation in Zimbabwe:Theatricalising political violence through Rituals (201 I)
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ID: 9655b05a-1efb-4abf-8cbb-40f339cc9f56 - Rethinking Edgar Tekere’s a lifetime of struggle
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ID: d9786b5f-85e6-414e-849a-5e46ead982c4 - Femininity and masculinity in Stephen Chifunyise’s written plays:the case of intimate affairs and muramu
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ID: 232e012d-5394-4cc1-9bf2-159a8362bd66 - HIV and AIDS: The violence of visuality and the visuality of violence
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ID: 5176e24b-d9b7-466c-bf18-473a3c495301 - Music, land and liberation theology: exploring mai Charamba’s ‘Africa’ and Fungisai Zvakavapano-Mashavave’s ‘Hamheno Anoramba’
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ID: 535eb89f-fe22-4a5b-8bdf-7ead8adce3a2 - Animation and YouTube as Alternative and Counterhegemonic Digital Public Sphere in Zimbabwe
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ID: d7c2f15c-ace6-41c8-af7d-f6e74dc054af - Playing the politics of erasure: (post)colonial film images and cultural genocide in Zimbabwe
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ID: 279545d3-096b-4c46-af7d-0fbf088341a8 - Censorship and economic film in Zimbabwe
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27
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ID: 64f73f3b-64d1-41cd-a365-de4e21683108 - Song and political satire in the play, The Honourable MP (1987)
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ID: 7ddfa2a2-dff3-4e29-985b-5172073b697c - Genocide in Rwanda and Chile : from Manchuca (2004) to Sometimes in April (2005)
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ID: 924fa5f3-09cc-46ef-a1e8-d0cf9ff018dc - Representation of land and ownership in the Zimbabwean public media
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ID: 38c15e3a-1f0c-4fd1-921b-c8b69d647f41 - Exploring the communicative function of light, sound and colour in Hotel Rwanda
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25
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ID: 3da9a08f-e327-45d3-9ab0-a11bd630915f - "Advertisers do not sell products or services but benefits of products or services": the case of ZB SMS banking advert in Zimbabwe
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25
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ID: 6d05974c-a7f5-4495-b32e-4981d6c4f63f - Visualising history on screen: the film "Lumumba" (2000) and the political contradictions of [Post] Colonial Congo
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25
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ID: 2097e250-296a-48e3-a0c9-aedff01949a4 - An analysis of the language of communication used by Barclays Bank Zimbabwe
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24
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ID: 850ad388-5cdb-40af-8ae6-7997b1d0ebf3 - Nationalism or supra-nationalism in the 21st Century?
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ID: a342a51a-e2e0-42b2-bce6-4613b16e7728 - Women as their “own liberators”: creating new frames through film
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23
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ID: b053c2fa-02f5-4f82-9b8d-cece4615b2c0 - Rhetorical devices in the language of Shona printed adverts
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ID: b80da873-4a80-4c04-8192-fb6ff0c96b4e - (Re)inventing african oral traditions and national heritage[s] through film images: the case of Keita! The heritage of the Griot [1995] and Kare kare zvako: Mother’s day [2004]
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